Unakceptable_views (@Unakceptabke_views)

Illumination in Kpop? “Illuminati symbolism is not only present in American pop culture, it is also heavily referenced in Korean pop (K-Pop), a multi-billion industry that reaches millions of young fans. We’ll look at the occult symbolism found in Narsha’s “Bbi-Ri-Bop-A” and SHINee’s “Lucifer” to see how the same hidden force that rules the American music industry also rules K-Pop. Most of the articles found on The Vigilant Citizen have discussed the Illuminati symbolism found in the works of American artists. In the last years however, the J-Pop (Japanese pop) and K-Pop (South Korean pop) industries have been producing their own factory-made pop stars to serve the enormous Asian market. Considering the importance of its large population, it is not surprising that the popular culture of the Far East is heavily tainted by the elite’s [JEWISH] agenda. Narsha’s video Bbi-Ri-Bop-A is a prime example of Illuminati symbolism in K-Pop, using the same story line, symbolism and color codes found in other ritualistic videos described on this site (see Rihanna, Lady Gaga, Beyonce). The homogeneity of the messages the global population is exposed to is becoming increasingly apparent as cultural and local differences are being replaced by a single, calculated and debased popular culture. ________ Analysis of the Song and Video The song and video revolve around the themes of ritualistic initiation and spiritual duality, which have both been abundantly observed in other videos. Narsha starts by being a good, godly girl and undergoes a profound spiritual transformation. The video begins with an average working guy (representative of the masses) working hard for his money. While drilling a hole, he accidentally uncovers a secret underground world that immediately attracts him. He peeps through this world with his left eye, symbolic of the Eye of Horus and/or the All-Seeing Eye. He is then swept into an alternate, spiritual world—some might call it the astral plane—where he must choose his spiritual destiny. Narsha poses as a dualistic spiritual being, starting the video wearing classical Christian symbols. The lyrics of the song invite the listener to follow her into a place “without sadness and happiness,” “with no disease,” but that is still compared to a nightmare. During the bridge of the song she says: People that are worn out come to me Give me your worn out soul I will erase for you every memory you want to erase What you want boy, what you want girl Try to believe me, entrust me and come into me While those words are being said, Narsha undertakes a visual spiritual transformation, illustrating the lyrics’ deeper meaning. Indeed, she is going from being godly to luciferian. __________ Narsha’s Initiation At the start of this pivotal scene, Narsha is dressed like the Virgin Mary, in a white robe— representing purity and innocence—and is praying assiduously. A supernatural force then intervenes and starts her metamorphosis. Narsha has her purity “tainted” by the supernatural force. She then changes into a crow and flies over to the trident in front of her, symbolically representing that she has gone to the “dark side”. The trident is also known as the “devil’s pitchfork” in religious iconography, as the adversary of God is often depicted holding the weapon. The trident can also be associated with Shiva the Destroyer and Poseidon, two mythological figures usually depicted holding a trident and who are of great importance in secret society Mystery Religions. The red-headed Narsha then zips through the forest where the construction worker is still looking for answers. The singer stops and unfolds big black wings, in a tribute to Lucifer, the Fallen Angel. Narsha is in tears and looks troubled, hinting to a sense of pain and regret. The construction worker is nevertheless attracted by the beautiful temptress and goes to her. Narsha smiles with satisfaction. The same way she was tempted to convert to the dark side, she uses her alluring powers to bring other people to it.“ continues in comments … https://blueterritory.wordpress.com/2010/12/21/illumination-in-kpop/