Eiji Kishigami (@Eiji_Kishigami)

Why are American comics all about cape golems? It began with the Jewish-American psychiatrist Fredric Wertham, whose seminal work Seduction of the Innocent condemned comics as dragging children into delinquency. Since Wertham's criticism targeted the jewperheroes, like pointing out Batman and Robin are gay, it resonated with people. A massive moral panic soon spread across the States. Parents and children burned comic books in public. The government established the Senate Subcommittee on Juvenile Delinquency to investigate the negative influnece of comic books on children. As a response, publishers formed the Comics Magazine Association of America, with its president being John L. Goldwater, a Jew from East Harlem who was related to senator Barry M. Goldwater. The CMAA created the Comics Code which prohibited violence, sexual degeneracy, disrespect for the law, etc. That might sound good, but we must look at the actual consequences. The Comics Code resulted in the mass extinction of Gentile publishers, like Fiction House, Lev Gleason Publications, and Quality Comics. And strangely, the very publisher that Jew Wertham attacked the most harshly, DC Comics, survived the purge along with other Jewish publishers like Dell Comics, Goldwater's own Archie Comics, and Atlas Comics which would later grow into Marvel. Thus, the American comics industry completely fell into the Jewish hand. Why couldn't American comics develop freely after the original inventions? The answer is, as usual, Jews.